found German photograph

extracts from notebook

Bruegal the Elder

Large Alpine Landscape c.1555-56

Giovanni Battista Piranesi

Ponte Milvio c.18th century

where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.

The Unnamable, Samuel Beckett

fragment from Bayeux tapestry

black crayon drawings

a great black tooth, the ruined abbey of St. Hilda, stands high on the cliff above Whitby, facing every winds that is flown against it.

Hayling Island water tower

The Lakes 

Seascape 

House on the moor 

L . S. Lowry landscapes

ways of presenting collections/ archives Christian Boltanski's
often uses 'Lost Property' from public spaces such as railway stations

found postcards, Charing Cross Road

Illuminated bandstand, Southend - on sea

Aldeburgh, Martello Tower

The Josing block, Bradwell-on-sea, 1922

Stalham Broad

acrylic painting of Paglesham

But the life of man is short, the infirmities of age increase upon me, and the time will soon come, when the regulator of the year will mingle with the dust

you alone sit corroded with ide melancholy

'Such said' said Nekayah, "is the state of life, that none are happy by the anticipation of change; the change itself is nothing; when we have made it, the next wish is to change again.

The world is not yet exhausted; let me see something to-morrow which I never saw before"

The History of Rasselas. Prince of Abyssinia. Samuel Johnson

exile is the theme of the more personal poetry of the Anglo-Saxon England.
An exile (wraecca, also meaning wretch, stranger, wanderer, pilgrim, unhappy man) is the protagonist of all English elegies.

'Garden of sleep' Norfolk

Seascapes

he travels in the past

watercolour painted over a found print

some notes

August Strindbergs notes
longing for the Stockholm archipelogo
used nature to symbolise his own feelings
spent his time between France Germany
Denmark and Switzerland

Charlton mill, Hampshire 1940

Windmill and Workhouse

Freston Tower River Orwell Suffolk
one of the first purpose built English Follies

Bernd and Hilla Becher
19th century industrial architecture

Old Ferguson Place, Prince Edward Island,
Photo George S. Zimbel

Jeno Kertesz as Icarus, 1919-20
photograph by Andre Kertesz

I verily believe that nor you, nor any man of poetical temperament, can avoid a strong passion of some kind. It is the poetry of life. What should I have known or written, had I been a quiet, mercantile politician, or a lord in waiting? A man must travel, and turmoil , or there is no existence. 

Lord Byron

postcards from notebook

Graham Sutherland the Unfinished World exhibition
with a Samuel Palmer postcard

Forest 

acrylic on paper

Dead trees with lake

acrylic on paper